I presented this research-in-progress at the annual conference of the Film and Media Studies Association of Canada (FMSAC) at Queen’s University (May 28, 2025). My presentation discussed the adaptation of Inuit stories for contemporary animation, identifying the opportunities and challenges of interpreting oral storytelling through this media form.

The presentation discussed the importance of media sovereignty for Inuit animation and focused on Nunavut-based company Taqqut Productions, particularly their two short films Angakusajaujuqh: The Shaman’s Apprentice (2021, dir. Zacharias Kunuk) and Mangittatuarjuk: Gnawer of Rocks (2025, dir. Louise Flaherty), both of which were produced in partnership with Toronto-based animation studio Stop Motion Department Inc.

Drawing on interviews with the films’ directors, producers, and lead animators, as well as analysis of the films and their production processes, the paper identifies key values that underpin Taqqut’s approach to Inuit storytelling in animation. These values, some of which overlap with principles of Inuit Qaujimajatuqangit, include the importance of intergenerational learning, cultural specificity, narrative openness, and recognition of land and animal spirituality. While animation provides effective audiovisual strategies for translating these values to screen, tension with dominant Southern conventions of animation production and reception impacts the eventual form and reception of these films.

As part of my presentation I also talked about research sovereignty, the process of applying for a Nunavut Researcher License for this project, and my intention to produce an open-access bilingual educational study guide for The Shaman’s Apprentice.

Featured image: still frame from “Angakusajaujuq: The Shaman’s Apprentice” directed by Zach Kunuk, Taqqut Productions, 2021.