Animation is rarely featured in books and catalogues on experimental cinema, and figurative animation is almost entirely excluded. Why? One of my goals as a media scholar and curator is to promote figurative animation as a tradition with a rich history of daring artistic experimentation. This past month (April 2023) I presented my recent writing on experimental figurative animation at the Society for Cinema and Media Studies conference in Denver.
Continue reading “Conference Talk: “Elusive Flesh: Figure and Body in Experimental Animation””
Last year I encouraged artist and curator Celina de Leon to adapt her moving-image work I am the same, I am always changing into a triptych installation. Celina first developed this project as a speculative response to the work of Ana Mendieta in my course on avant-cinema histories. On November-10-2022 it debuted as part of Celina’s first solo show, at the RBC Media Gallery. I am proud and grateful to have written a short curatorial text for this bold and vulnerable work.
Continue reading “Curatorial text: “I am the same, I am always changing””
I’ve been following the Giant Incandescent Resonating Animation Festival (GIRAF) remotely for years, but it wasn’t until they went online during the pandemic that I got to experience their wonderful programming and community feel. This year, I was giddy to be a guest curator and judge with the festival. During the festival, I presented a special programme devoted to animating graphite that came out of the Animate Materials Workshop.
Continue reading “Announcement: Guest Curator and Jury Member at GIRAF’18”
How can animation explore nomadic and indigenous cosmologies?
Continue reading “Event: Nomadic Cosmologies: Conversation with Alisi Telengut”
I’m stunned and grateful to receive the 2022 SCMS award for best essay in an edited collection. My colleague Perrin Grauer published a lovely profile of the essay and the award here. The published essay, devoted to a feminist history of film editing, owes much to my editors James Leo Cahill and Joshua Malitsky, as well as the staff of RGALI and Muzei Kino archives in Moscow.
On May-27-2022 I had a chance to present the Rear-Window Cinema project at a curated speaker series organized by the Digital Arts Community extension of SIGGRAPH (Special Interest Group on Computer Graphics and Interactive Techniques). The theme of this particular edition was “Expanded and Experimental Animation.”
Continue reading “Talk: SIGGRAPH Digital Arts Community”
On May-12-2022, I co-chaired the following workshop with Malini Guha (Carleton University). The workshop included presentations by Sue Shon (Emily Carr University of Art + Design) and Benjamin Woo (Carleton University). Click continue for more details.
Continue reading “Workshop Event: Alternative Grading”
On February-4-2022 I’ll be moderating a virtual book conversation with Jordan Schonig, author of the book The Shape of Motion: Cinema and the Aesthetics of Movement (2022), and Ryan Pierson, author of the book Figure and Force in Animation Aesthetics (2019). Click on “Continue” for description.
Continue reading “Book Event: How to Talk About Movement”We invite chapter proposals for the second of four volumes of the Encyclopedia of Animation Studies: Techniques, Processes, Environments (Bloomsbury, 2024). The expansive four-volume series will showcase established and emerging scholarship on animation, including transdisciplinary approaches that consider the proliferating forms and roles of animation today. This second volume, edited by Dr. Franziska Bruckner and Dr. Alla Gadassik, focuses specifically on animation techniques, processes, and environments – how, where, and why animation is made and exhibited.
Continue reading “Call for Proposals: Encyclopedia of Animation Studies vol.2 (Bloomsbury)”
Alla Gadassik: Media Scholar and Animation Curator 